The Dance of Madness

Ivy WreathedUpon the ridge they waited, looking out over the patchwork of hills and fields, the trees bending and swaying in the mighty gusts that surged up from the lower levels, threatening to pluck them from their perch. The tumultuous clouds billowed, full and heavy, as the rolling thunder resounded over the landscape; the roaring winds joining the wailful choir, shaking them to their core. A lonely church stood against the twilight, a long forgotten sanctuary that had not taken kindly to the test of time, now trembled beneath the lightning lacerated skies, its mossed brickwork, ivy-wreathed and crumbling. From canopy to forest floor, and within the oaken green atop the ridge high above the hills, dripped the damp and mossy scent of dirt. The cavalcade of deep russet, bronzed and golden dervishes had passed as the land was embraced by the chill of encroaching darkness, but still the scents of old leaf and bark were snatched up and carried on the tempest; fungoid and earthy, bitten by frosts.

The Sun’s setting had thrown innumerable shadows across the old stones, reaching out from the Oakwood, where the two stood hand in hand. Resinous tendrils of smoke curled and danced from their fire to the lichen-rich branches, devoid of leaves; a dusky incense hanging on the boughs, mimicking the morning mists and night-time fogs that rose around these parts. It cloaked the land in an Otherworldly hush, only broken by the snapping of twigs and crunching of fallen leaves under foot; once the storms had hurled through, with a Berserker’s fury, on their way to pastures afar. Electrifying the air. They watched in anticipation and trepidation as this new storm approached, it was different from the others. Their thumping hearts beat in their ears, quickened blood pulsed through their veins, words escaped them, wide eyes locked onto what was unfolding before them. Still their hands remain firmly grasped in each others’ as they stood their ground. As the clouds parted and the veil slipped away, there was a terrifying, awe-inspiring sight. Maddened women; shrieking wraiths, clothed in diaphanous chiton, serpents writhing about them, and those with shaggy thighs and hooves of goat. And while dancing the dance of madness alongside the god of ecstasy and terror, of wildness and most blessed deliverance, wreathed in vine, their thyrsus were raised high and the bottomless kantharos passed from outstretched hand to outstretched hand. The scepter and the orb. He is King here.

Maenad: Awake but DreamingThe lusty, iron-tinged aroma of the kill assaulted them as the winds surged relentlessly. The scent of sex and death, the smell of Him, surrounded them, infusing them, calling to them. Their hands clasped tighter, hearts stopping momentarily, as Boreas swirled furiously around them; seizing them and hauling them, windswept and awestruck, into the embrace of the raving company. Careening and howling through the air, the winds of time and change whistled around them as they were broken down and fiercely torn asunder. The sweet taste of wine fell upon their lips, eyes rolling, heads thrown back. Tears. Tears and wine. Tears, wine, madness and ecstasy. He battered the debris away, striking down the nagging doubts, culling the old and making way for something else. But what? And where shall we tread the dance, tossing our white heads in the frenzied dances of the god? Through life’s storms and through our dreams and into the Unknown.

His power resides in the stench of burnt Oak and Pine, in the scent of the Fir and Fig, in the forgotten wild places, where blood falls upon old stone. His horns curl like the bare branches of Winter trees. He is the thunderous breaking of a Mother’s waters, the perfection of labour, the cracking of a new egg. He is life. Preservation. You can find Him in the heart-stopping passion of a lover’s kiss, in their sensual touch, when bodies and souls entangle. In envy, desire and lust, jealousy, anger and rage, passion, hunger and fear. It is Him who watches from the shadow, His gaze burning into your soul. His power is found in His blood that flows to nourish, to rejuvenate, to fertilise; the catalyst for that embryonic spark. It is found in the flowing wine and the breaking of bread. Blood on bread. He is also Death. The mists that churn upon hallowed ground where the dead lie. The freshly turned earth of a fresh dug grave. He is both life and death, and that place in between. He is a mantic god, closely linked with oracular vision and rules over Delphi during the Winter months, His power resides in vision and He bestows enthusiasmos upon his beloved seers. He is the grasped hands of true friendship, a warm embrace. He can be very loving (stiflingly so) but He can be cruel and harsh. He is ecstasy, that primal fire that burns and consumes. Two-horned, two-natured, thrice-born He inspires the divine madness. He pushes and pulls. He lurks in the smell of musty books, the glint in the artist’s eye, in the scratch of graphite on paper. He is the spirit of raw creativity that drives our art and our Arte. There is a complexity to Him, many layers that over time He may reveal. There is a sophistication in His wildness. He is the guide, the liberator, the teacher, the messenger, the challenger, the gatekeeper, the key, the subterranean one, the healer, the destroyer, he of the black goatskin, the magician, he who causes stumbling, my savior…

The Sacrificed God

As the cataclysm of wind, hale, rain and cracking thunder tore through the night, the ekstasis reached its peak in a clashing of horn, hoof and bare hand, fueled by a primal rage. The dance had become a frenzy. Tearing. Ripping. In a cacophony of tambourine, ebony flute, ecstatic scream, and tempestuous weather, a piercing was made. The blood of the ever-dying, ever-living god had been spilt; and howling He leant against His staff. The wound was deep, fatally so, and His knees were failing Him. Amid the violence and catastrophic noise, He gathered them close and a whisper was heard. Soft and gentle. A whisper filled with tenderness, and His age-old promise of rendering them anew as the dawn of a new day breaks. He stains their foreheads with His blood and the kantharos is raised one last time. He shall come again, He is after all ‘the god that comes’, but in that he is also the god that leaves. So now to rest, and in the bassaris pulled around his shoulder, lays their promise. The two kneel, sanctified in Him and shall forge on; and the dance continues. They have each other. As The Mother embraces Him, tears are shed, visions blacken and they fall…

…As the Sun rose over the distant hills, they awoke shivering at the foot of their forked staff, a fire rekindled within. A purpose renewed. And as they drained their cup to its bitter dregs, their hands are still intertwined.

Text – Sarah-Jayne Farrer

“Ivy Wreathed” © Matt Baldwin-Ives & Sarah-Jayne Farrer

“Maenad: Awake but Dreaming” © Sarah-Jayne Farrer

“The Sacrificed God” © Matt Baldwin-Ives (www.milescross.co.uk)

Original sculpture for “The Sacrificed God” was created by Chris Goodwin

 

Welcome To ‘In The Chimehours’…

Welcome to ‘In the Chimehours’: An exploration of English folklore, folk tradition & magic, and my journey as an English Witch returning to her roots.

I’ll be working in collaboration with the boys at Miles Cross (Matt Baldwin-Ives and Ian Thurlby), who have been kind enough to provide all the images for this project, and have lent a greatly needed hand with the ‘back of house’ goings on. I’m so excited & honoured to be able to show off their work.

I want to completely step away from Crooked & Hidden Ways, and concentrate solely on this project, but the site will remain running (and I’ll be posting links there) for a while. To give everyone a chance to follow me over here, before completely taking the blog down. I want to thank all my readers, and friends, who have be following along these past few years, I am indeed very grateful for your support and feedback.  

The number one question on everyone’s lips during the lead-up to launching this blog was “What are the Chime hours?”

So with that question… Here we go…

The Midnight Hour - www.milescross.co.uk

“I wor born in the chimehours and can see what other folks can’t see, leastways, so they tell me”

‘Chime Hours’ or ‘Chime Children’ are not much talked of these days, as the chiming of church bells have become less and less frequent.  Not often will you hear the term ‘Chime Child’ uttered, apart from by those who follow the older ways and superstitions of the British Isles, especially those who were born within the chime hours themselves. Three, six, nine, and midnight are the most commonly accepted times of the chime hours. These were the hours that, in monastic tradition, prayers were required, and were marked by the tolling of the church bells. However, in Somerset and East Anglia those hours are held to be eight in the evening, midnight, and four in the morning. There’s still some argument as to whether a Chime Child was born exactly on the toll of the church bells, or within that hour, depending on where you were born. Still in other locales those hours are specifically limited to those who were born between midnight and dawn, Friday to Saturday. According to those, Sunday bore no Chime Children.

I was born on a Saturday, not long after the church bells were rung. A stones’ throw from the hospital where I lay wet and sticky from the womb, mewling naked upon my mother’s breast, the second round of tolls peeled through the night, marking quarter past the chime hour.

Those who were born within the chime hours are said to be gifted with ‘the eyes to see’. They had the eyes to see things which were usually hidden from ordinary people, such as ghosts, spirits and demons. The British folklorist T. F. Thiselton Dyer in The Ghost World (1893) states;

“Thus it is said in Lancashire that children born during twilight are supposed to have this peculiarity, and to know who of their acquaintance will next die. Some say that this property belongs also to those who happen to be born exactly at twelve o’clock at night, or, as the peasantry say in Somersetshire, ‘a child born in chime-hours will have the power to see spirits’.”

Children of the Sea - www.milescross.co.uk

Still other abilities are attributed to Chime Children. They are said to be skilled at herbal medicine, magic and healing, seership, and the power to control animals (both wild and tamed). A chime hour birth also made one privy to certain songs and carols; song and carols that would usually only be sung at certain times, by certain people. A chime hour birth could cancel out the bad luck that the mere utterance of these traditional songs, at the wrong time of the year, could bring. In some stories closer to the sea, Chime Children had an affinity with the waves, and these children were often the ones taught to sing the sailors or fishermen home. It is said that they can even control the sea and the weather, if born close enough to water.

Another belief was that Chime Children were the only ones able to see and hear the Ratchets, the spectral hounds of the Otherworld (the Cŵn Annwn led by Gwynn ap Nudd, or the hounds of  Herne the Hunter) which formed part of the Wild Hunt, and live to tell the tale. To catch sight or sound of those hounds was usually the harbinger of death, excepting those of a chime hour birth.

Chime Children are blessed with ‘the second sight’, and in times of old were watched closely as they grew, to see how their gift would manifest.  In parts of Ireland and Scotland, particularly the Highlands, this was accepted as normal, and it was believed that these gifts and abilities were God-given. Song and prayers were taught to the seer, in order to aid them to ‘see true’. As with any gift of this kind, many of those who were born within the chime hours considered it a curse, and would gladly be rid of it. The burdens of a Chime Child are many, especially when they have no one around to guide them in using their gifts.

“Es aw looked out my asey-casey,
On a moonlight night,
Aw sah th’ dead carrying the live.
Wasn’t that a wunderful sight?”
(Lincolnshire Traditional)

Text – Sarah-Jayne Farrer

Images © Matt Baldwin-Ives (www.milescross.co.uk)